Modernizing the classic female nude

Blonde Vivienne, 1987
Mr. Wesselmann's sleek, hard-edge, mostly pink silhouettes of reclining female torsos or big cutout lips exhaling clouds of cigarette smoke were distinguished from his fellow Pop artists by a sensuous heat and close-up intimacy that were one part sex and four parts astutely considered color and scale. The images were distant relatives of pinups, filtered through the billboard genre but with a formal infrastructure developed from careful attention to the paintings of de Kooning, Matisse and Mondrian.
Tom Wesselmann
1931-2004
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